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Nonsense in The Shakespearean Problem Play Ozbas S. (Danışman)
AN ECOCRITICAL ANALYSIS OF PERSPECTIVES AND REPRESENTATIONS IN CHARLOTTE MCCONAGHY'S ONCE THERE WERE WOLVES AND JIANG RONG'S WOLF TOTEM Kıvanç A. Z. (Danışman)
Transcultural Hybridity in August Wilson’s Joe Turner’s Come and Gone Daneshara S. (Danışman)
Searching for One’s Place and Identity: A comparative Study of Individual and Collective Identity in Microeconomic and Macrocosmic Spaces in John Steinback’s East of Eden the Gropes of Wroth Daneshara S. (Danışman)
Newly Assigned Daneshara S. (Danışman)
Newly Assigned Daneshara S. (Danışman)
Narrative Ambiguities in William Blake’s the Four Zaas and Percy Bysshe Shelley’s Prometheus: A Ricoeuion Perspective Daneshara S. (Danışman)
The comprenesive has neot been taken by the student yet Daneshara S. (Danışman)
Have not been decided yet Daneshara S. (Danışman)
“Voices of Resistance: Narrative Control, Female Silencing, and Reclamation in The Handmaid’s Tale and Contemporary Iran.” Çapkın N. (Danışman)
Existential Representations of Self-Awareness and the Authentic Individual in William Golding’s Free Fall and Albert Camus’s The Fall Çapkın N. (Danışman)
Intersectionality in The Kite Runner and Thousand Splendid Suns Çapkın N. (Danışman)
Death and Immortality in Transcendentalist Thought: An Eco-critical Comparative Analysis of the Themes of Life, Death and Spiritual Immortality in the works of emerson, Thoreau, and Whitman in Relation to Sufi Teachings Daneshara S. (Danışman)
Exploring the Carnivalesque. Subversion and Power Dsynamic in Parfume by Patrick Suskind and the Food Taster by Peter Elbling Daneshara S. (Danışman)
Psychoanalytic Dialogism: Exploring Interiority and Voices in Dicken’s Great Expectations and Hardy’s Tess of D’Urbervilles Daneshara S. (Danışman)
Dialogic Comparison Between Russian and American Literature: Analying Bakktin’s Theory of Dialogism in Tolstoy’s Anna Karenina and Dreiser’s Sister Carrie Daneshara S. (Danışman)
Painting Realism: The Visual Novel of George Eliot Özbaş S. (Danışman)
The recomposition of Intertextual Motifs in J.D. Salinger's Nine Stories Kıvanç A. Z. (Danışman)
TRAUMA IN THE LORD OF THE FLIES AND THE HUNGER GAMES: MOCKINGJAY NOVELS İşçi C. G. (Danışman)
Anton Gill's Assassin's Creed Black Flag and Assassin's Creed Forsaken as a representation of historiographic metafiction through the postmodern theory İşçi C. G. (Danışman)
Historiographic metadrama in Alan Bennett & Dario Fo's selected plays İşçi C. G. (Danışman)
Metatheatre and its implications in Hamlet İşçi C. G. (Danışman)
Reading Suıcide Beyond the Ending:The Awakening and The Bell Jar İşçi C. G. (Danışman)
Marxist analysis of F. Scott Fitzgerald's novels İşçi S. (Danışman)
Agression of African-American characters: A Study in August Wilson's selected plays İşçi S. (Danışman)
Postmodern dystopia and life and death drives in J. G. Ballard's crash and the atrocity exhibition İşçi C. G. (Danışman)
Identifying self and other in J.M.Coetzee's waiting for the barbarians and Joseph Conrad's heart of darkness İşçi C. G. (Danışman)
Shakespearean fools and Bahlool Dana İşçi S. (Danışman)
Myth and supernatural power in Emily Sronte's Wuthering Heights İşçi S. (Danışman)
Class consciousness in the novels of Jack London and George Gissing İşçi C. G. (Danışman)
Marriage in Jane Austen's and Charlotte Bronte's novels İşçi S. (Danışman)
FILM ADAPTATION OF POSTMODERN LITERATURE: WAITING FOR GODOT, CATCH 22, RAGTIME, THE NAME OF THE ROSE İşçi C. G. (Danışman)
Anthropomorphism in English Literature represented by George Orwell's Animal Farm and Mark Twain's A Dog's Tale İşçi S. (Danışman)
The concept of time in Macbeth and Hamlet İşçi C. G. (Danışman)
Irony in Ian McEwan's novels İşçi S. (Danışman)
Critical geopolitics and maritime fiction: Patrick O'Brian's The Golden Ocean and The Unknown Shore İşçi C. G. (Danışman)
Capitalism and marriage in Moll Flanders and persuasion İşçi C. G. (Danışman)
Oriental symbols in Othello and Merchant of Venice İşçi C. G. (Danışman)
Patriarchy in Virginia Woolf's selected works: A Room of One's Own and Jacob's Room İşçi C. G. (Danışman)
MAGICAL REALISM IN THE WORKS OF GLORIA NAYLOR AND ALICE WALKER İşçi C. G. (Danışman)
Motherhood in Toni Morrison's Beloved: Traumatic identity of Sethe İşçi C. G. (Danışman)
Eroticism in Shakespeare's plays İşçi C. G. (Danışman)
Gender identities in Caryl Churchill's selected plays İşçi C. G. (Danışman)
Symbolism in Samuel Beckett's Waiting for Godot and Endgame İşçi C. G. (Danışman)
Levinasian reading of Stephen King's selected novels and novellas İşçi C. G. (Danışman)
Reading music in Henry James' fiction İşçi C. G. (Danışman)
D.H. LAWRENCE'S SONS AND LOVERS: AN AUTOBIOGRAPHICAL APPROACH İşçi S. (Danışman)
Real and imaginary spaces in Tom Stoppard's plays İşçi C. G. (Danışman)
Deciphering radical ecology in contemporary british fiction: Julian Barnes, David Mitchell and John Fowles İşçi C. G. (Danışman)
Magical realism as a postcolonial narrative mode of resistance in three of İbrahim al-Koni's novels İşçi C. G. (Danışman)
The Reflections of British Colonialism in Heart of Darkniss and Kim İşçi S. (Danışman)
Travel literature as a political act: Discourse historical analysis of James Stanislaus Bell's Journal of a Residence in Circassia İşçi S. (Danışman)
John Berger and his deconstructive ways of seeing as applied in his works İşçi C. G. (Danışman)
Yabancı dil öğretiminde edebi metinlerin kullanılması İşçi C. G. (Danışman)
The stereotypical representation of the Ottoman Turks in English restoration drama İşçi C. G. (Danışman)