Arş. Gör. VİLDAN KANSIN

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Makaleler 1

1. The Story of the Shared Lives in the Double Life of Veronique

Kansın Ökruca V.

Dünya Dilleri, Edebiyatları ve Çeviri Çalışmaları Dergisi , cilt.2, sa.1, ss.1-10, 2021 (Hakemli Dergi)

Hakemli Bilimsel Toplantılarda Yayımlanmış Bildiriler 6

1. From Barthes to AI: Authorship and Reality in Death of an Author by Stephen Marche

Kansın V.

Ege University 20th Cultural Studies Symposium AI & Cultural Production, İzmir, Türkiye, 6 - 08 Mayıs 2026, ss.70, (Özet Bildiri)

2. Ethical Implications of the Gaze of the Artificial Other in Klara and the Sun

Kansın V.

IX. Uluslararası Batı Kültürü ve Edebiyatları Araştırmaları Sempozyumu, Konya, Türkiye, 15 - 17 Eylül 2025, ss.199, (Özet Bildiri)

3. Fractal Geometry of Ophelia: Body and Mind

Kansın Ökruca V.

Our Glocal Shakespeare: Intercultural Encounters with The Bard, İstanbul, Türkiye, 19 - 20 Nisan 2024, (Yayınlanmadı)

4. Colour(lessness) in Lowry’s The Giver and Zusak’s The Book Thief

Kansın Ökruca V.

INTERNATIONAL SCIENTIFIC CONFERENCE “On the palette of imagination” Children and Colours in Literature, Culture, and Education, İstanbul, Türkiye, 27 - 29 Eylül 2023, ss.23, (Özet Bildiri)

5. The Nature and Effects of Time in Shakespeare’s Macbeth

Kansın Ökruca V.

4th Paces Conference: Time, Denizli, Türkiye, 03 Mayıs 2019, (Özet Bildiri)

6. Faustus ve Bilim

KANSIN ÖKRUCA V.

6. Bilim Günleri, İstanbul, Türkiye, 8 - 09 Mayıs 2017, (Özet Bildiri)

Kitaplar 3

Metrikler

Arş. Gör. VİLDAN KANSIN

Yayınlar & Eserler

1. The Story of the Shared Lives in the Double Life of Veronique

1. From Barthes to AI: Authorship and Reality in Death of an Author by Stephen Marche

2. Ethical Implications of the Gaze of the Artificial Other in Klara and the Sun

3. Fractal Geometry of Ophelia: Body and Mind

4. Colour(lessness) in Lowry’s The Giver and Zusak’s The Book Thief

5. The Nature and Effects of Time in Shakespeare’s Macbeth

6. Faustus ve Bilim

1. Carol Ann Duffy’s Everyman as a Metamodern Adaptation

2. Perception of Time in the Renaissance Period and its Reflections in Literature

3. The Ambivalent Nature of Conrad’s Heart of Darkness and Coppola’s Apocalypse Now

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