Tez Dosyaları 14
A feminist reading of William M. Thackeray's Vanity Fair and Charlotte Brontë's Jane Eyre
Changing nature-human relations in catastrophic narratives of J.G. Ballard's the Drowned world
Ann Radcliffe's The Italian as an early form of sensation novel:A genre study
Theocratic dystopias: Faith as an instrument of manipulation in 2084 The End of the World by Boualem Sansal and Swastika Night by Katharine Burdekin
The abjection of the African-American female figure and the state of being cast off through Morrison's Beloved and Paradise.
The classical hero's journey of Lyra Belacqua in Philip Pullman's His Dark Materials
Women of Vardo as the "Nonhuman" others in the Mercies by Kiran Millwood Hargrave
The politics and poetics of the uncanny: Monstrous bodies inMary Shelley's Frankenstein and Ahmed Saadawi's Frankenstein in Baghdad
The individual's isolation in E.M. Forster's the longest journey and a room with a view
Distortion of identity in E.M. Forster's A Passage to India and Chinua Achebe's No Longer at Ease, a postcolonial theoretical approach
From Cindirella to cinder: The posthuman reimagining of fairy tales in Marissa Meyer's lunar chronicles
The call of the 'orient' in James Morier's novels
Epiphanies of queer melancholia in michael cunningham's a home at the end of the world
Unsung heroines of American civil war: Reversal of gender roles in Louisa May Alcott's Little Women and Charles Frazier's Cold Mountain